Well, if not murderlicious, then at least murderable.
The reader has to believe somebody wants to off your victim. Preferably there should be a long line of characters ready to send your victim to the great beyond.
An author can have fun with this. Why not? If you’re not enjoying the writing, why do it? Liz Wiehl, in THE HAND OF FATE, created conservative radio talk show host Jim Fate who has ticked off just about everyone. Some say the Fate character was modeled after Mr. Talk Radio himself, Rush Limbaugh. I’m not casting any stones at Mr. Limbaugh. My point is, I’m sure the author had a great time creating her victim. And since the Fate character had a long list of enemies, he was highly murderable.
Some writers pick people from their past…their ex-mother-in-law, the algebra high school teacher who looked down on them for being math-challenged, In these cases nobody, except the author and perhaps family members and a few close associates, will ever know who the character is modeled after. Of course the author will exaggerate the negative characteristics of said ex-mother-in-law or math teacher. Then again, maybe not. I’ve heard authors say, more than once, they toned reality down because nobody would believe it.
Another way to make your character’s murder believable is to have the victim know something that gets them killed. Robin Caroll did this very successfully in her novel INJUSTICE FOR ALL. In this case the murder victim is a federal judge and his FBI profiler god-daughter, Remington Wyatt, is forced to change her identity, go into hiding, and run for her life.
The third novel in my historical whodunit series, PERILOUS SHADOWS, starts right off at the beginning with a body, that of a pretty, young coed. There is no immediately discernible reason why this young lady was killed. However, as this mid-1940s psychological mystery unfolds the reader realizes most of the characters have something to hide, including the victim.
Knife Photo courtesy of stock.xchange image # 1115700